2024
Artishock Revista, Interview with Aziz + Cucher, with curator Rolando J. Carmona (in spanish)
2022 “XXX: AZIZ + CUCHER,” La Fábrica Editions and Gazelli Art House, Madrid/London Tennae Maki, “Aziz + Cucher: You’re Welcome and I’m Sorry,” The Brooklyn Rail, December 2022
2021 ”Framing Moments,” ed. by Deborah Willis, Kalamazoo Institute of the Arts, MI
2019 “Suffering from Realness,” exhibition catalog ed. by Denise Markonish, MASS MoCA/Prestel, North Adams, MA “Body: The Photography Book,” ed. by Nathalie Herschdorfer, Thames and Hudson, New York
2018
Noam Lemelshirich-Latar, “Can Art Aid in Resolving Conflict?” FRAME, Amsterdam, 2018 ArtPremium Magazine, "Motley's the Only Wear," Winter 2018, Paris
Jean-Luc Nancy, "Portrait," (english ed.), Fordham University Press, New York, 2018 Wall Street Journal, November 8, 2018 Considering Art, London, UK, 2018 “Monument to Cold War Victory,” Cooper Union, 2018
2017
Evergreen Review, "A Manifesto," http://evergreenreview.com/read/a-manifesto/, August 2017
Jack McGrath, "Visual Notes for an Upside Down World," Ex. Cat., PPOW Gallery, New York
Laila Pedro, "Topsy Turvy Art for a World Turned on its Head," Hyperallergic, July 20, 2017
Art Review Asia, Hong Kong
Hong Kong Economic Times, Hong Kong
China Times, Hong Kong, January 24th edition
2016
Jacqueline Clyde, "Widewalls," Ermatingen, Switzerland http://www.widewalls.ch/artist/aziz-cucher/ Jean Robertson, Craig McDaniel, “Themes of Contemporary Art: Visual Art After 1980,” Oxford University Press, UK
2015
Haley Sweetland Edwards, "The Fallacy of Free Speech," Time Magazine, Dec. 14, 2015, p. 33
"Inside Magnolia Editions: Innovation and Collaboration," Magnolia Editions, Oakland, CA
"A New Tradition," Gazelli Art House, London
Alexandra Schwartz, "Come as You Are: Art of the 1990's," University of California Press, Berkeley/Los Angeles
Becca Rothfeld, "What was Art of the 1990's All About?", Hyperallergic, May 12, 2015
Barbara Denis-Morel, "Corps Recomposés," Presses Universitaires de Provence, Aix-en-Provence, France
Elizabeth Herrmann and Ryan Shelley, "Collaborative Design Strategy," BIS Publishers, Amsterdam, NL
Jean-Luc Nancy, "The Other Portrait," Art Words Magazine, Ljubljana, Slovenia
Laura Feinsilber, Aziz + Cucher: Una Seduccion Hipnotica," Ambito, Buenos Aires, June 1, 2015
Marjan Goothus, "History Repeats Itself," The Herald, Buenos Aires, June 7th, 2015
Eduardo Villar, "Movimiento Perpetuo," N-Clarin Revista de Cultura, Buenos Aires, June 6th, 2015
Tanya Loss, TIME OUT, Tel Aviv, Israel http://timeout.co.il/en/art-and-culture/contemporary-standards
2014
Stéphane Dumas, "Les Peaux Créatrices: Esthétique de la Sécrétion," Editions Klincksieck, Paris
Daphé Bétard, "Un Rapport Épidermique," Beaux Arts Magazine, Paris, June 2014, p. 40.
Alpesh Kantilal Patel, Critic's Pick, Artforum, January/February
Sarah Lehat, "Architectural Identity and the Persistence of Hope," Huffington Post, January 20, 2014
2013
Carlos Garcia Montero, Artpractical.com, September 11, 2013
Anne Tschida, "13 things not to be missed during Art Basel Miami," Miami Herald, December 7, 2013
Michael Petry, "Nature Morte," Thames and Hudson, London
Jill H. Casid, "Ovid's Afterlives in Modern and Contemporary Art, Univ. of Wisconsin, Madison
2012
Hilarie M. Sheets, "It's an Absurd World, Send In the Clowns," The New York Times, Sunday, April 29, 2012
Jeffrey Kastner (Editor), NATURE - Documents of Contemporary Art. Whitechapel Gallery/MIT Press
"Outside the Frame," Haaretz, (The Back Page), Wednesday, May 2, 2012, Tel Aviv, Israel
Kasper Lippert-Rassmusen et al. (Editors), "The Post-Human Condition," Aarhus University Press, Denmark
Lisa D. Freiman (Editor), "Some People," Indianapolis Museum of Art and Hatje Cantz, Germany
Juliet Hacking (Editor), "Photography: The Whole Story," Thames and Hudson, London
2011
Hilarie M. Sheets, “Dynamic Duos,” ARTNEWS, February 2011, p. 86
Sabine Flach and Sigrid Weigel, ed., "Wissenskunste," VDG Editions, Weimar, Germany
Dr. Chu-Lan Liu, ARTS MAGAZINE #347, Taipei, Taiwan
Ana Finel Honigman, ARTSLANT CHINA, April 21, 2011
2010
Sylvia Wolf, DIGITAL EYE, Prestel Editions, New York and Henry Art Gallery, Seattle
Dolores Denaro, et.al, "Genipulation: Genie Genetique et manipulation dans l’art contemporain,"
Centre PASQUART, Biel, Switzerland
2009
Jiang Rong, "Virtuality and Reality," Chinese Photography Magazine, Issue #4, Beijing
Sigfried Zielinski, IMAGES OF BODIES AND RELIGION IN THE TEUTLOFF COLLECTION, Potsdam
2008
Vince Aletti, THE NEW YORKER, May 26th edition, New York
2007
Eleanor Heartney, ART AND TODAY, Phaidon, New York, 2007
Mary Warner Marien, FLEMING’S ARTS & IDEAS, 10th edition, Wadsworth/Thomson
2006
Ricardo Bloch, PHILOSOPHIE MAGAZINE, Paris, November, 2006
Zhen Li, VISION MAGAZINE, Beijing, September 2006
Bernadette Wegenstein, “Getting Under the Skin,” MIT Press, Cambridge
Sydney Morning Herald, Metro Section, 13-28th of April
The Sun Herald, Sydney, April 2, 2006
Brian Dillon, “The Revelation of Erasure”, TATE Etc., London. Issue 8
Cay Sophie Rabinowitz, “Aziz + Cucher,” Ex. Catalog, Artereal Gallery, Sydney
2005
Germano Celant (Ed.), “Architecture & Arts: 1900-2004”, Skira Editore, Milano.
“Art of the Present: Collection Vol.1”, MUSAC, Leon, Spain.
Jonathan Lipkin, “Photography Reborn,” Abrams Studio Publications
2004
Suzanne Anker, “The Molecular Gaze: Art in the Genetic Age”, Cold Spring Harbor Press, NY
2003
Coco Fusco, “ONLY SKIN DEEP”, International Center of Photography, NY
Didier Ottinger, “Chimeres”, (cat.) Actes Sud, and Les Affaires Culturelles, Monaco
“Undomesticated Interiors”, (cat.) Smith College, Northampton, MA
“Matador Magazine”, pub. La Fabrica, (Artists’ Portfolio), Volume G, Madrid
Edward Lucie-Smith, “Art Tomorrow”, Vilo Publishing, London
Charles Traub and Jonathan Lipkin, “In the Realm of the Circuit: Computers, Art and Culture”, Prentice Hall
Nicole Karafyllis, “Biofakte”, p. 50-52, Mentis Pub., Paderborn, Germany
“fotograf”, Journal of new Photography, No. 2, Prague, Czech Republic, summer 2003
EXIT 11, “Ordinary Things,” Madrid, Fall 2003
Francesca Alfano Miglietti, “Extreme Bodies”, Skira Ed., Milan
2002
Claudia Benthien, SKIN: On the Cultural Border Between Self and World”, Columbia Univ. Press
Virginie Luc, “Art A Mort”, Ed. Leo Scheer, Paris
Mary Warner Marien, PHOTOGRAPHY: A CULTURAL HISTORY, Abrams and Prentice Hall, London
Boris Von Brauchitsch, KLEINE GESCHISHTE DER FOTOGRAFIE, Reclam, (Stuttgart)
Anne Ellegood, “Out of Site” (cat.), New Museum of Contemporary Art
Ellen Lupton, “Skin” (cat.), Cooper-Hewitt National Design Museum
“Aziz + Cucher: 10 Years of Work,” Do Trinque, Vigo, Spain
“Trajekte: Newsletter des Zentrums fur Literaturforschung, Berlin
2001
Laurie Attias, “Reviews,”, ARTNEWS, December 2001
David Hunt, “Reviews,” FLASH ART, June, 2001
Nico Israel, “Reviews” ARTFORUM, March 2001
Barbara Pollack, “Reviews,” ARTNEWS, June 2001
Jonathan Gilmore, “Aziz + Cucher,” TEMA CELESTE, March 2001
Marvin Heiferman, Carole Kismaric, “Paradise Now,” Tang Teaching Museum, Skidmore College
2000
Frazer Ward, “Cumulus,” PARKETT # 60, December 2000
Lea Vergine, “Body Art and Performance,” 2nd Edition, Skira Ed., Milan
Max Kozloff, “The Hive of Subtlety,”APERTURE #160, Summer 2000
William Ewing, “The Century of the Body,” Thames & Hudson, London
Barbara A. MacAdam, “A Salon for the 21st Century”, ARTNEWS, May 2000
1999
Michael Rush, “New Media in the Late 20th Century,” Thames & Hudson, 1999, p. 186
Thyrza Nichols Goodeve, interview in Aziz + Cucher: Recent Work 1998-99, (catalog)
Tim Druckrey, in OVEREXPOSED, ed. by Carol Squiers, The New Press, New York
1998
Laurie Attias, “Hygiene,” FRIEZE, #42, p. 92, October, 1998
Carole Boulbes, “Here’s Looking at You, Cyberface,” ART PRESS, p. 31, #240, November 1998
COLORS, #25, p. 92, (reproduction), April/May 1998
DER SPIEGEL, Special #3/1998 (Freizeit Digital), Hamburg
Jean Poderos, BEAUX ARTS MAGAZINE, #171, August 1998
“The Virtual Embodied: Presence, Practice, Technology,” Routledge, London, 1998 (cover)
Mignon Nixon, “After Images”, OCTOBER #83, Winter 1998
1997
EUROPEAN PHOTOGRAPHY, No. 62, Fall/Winter 1997 (reproductions)
Stephanie Cash, ART IN AMERICA, p. 91, December 1997
Nahas,Cohen,Carvalho; “Aziz + Cucher, 3 critical views”, REVIEW, New York, October 1, 1997
Grace Glueck, THE NEW YORK TIMES, Art in Review, 10-3-97
Ange-Dominique Bouzet, “Aziz + Cucher”, LIBERATION, July 7, 1997
CONTEMPORARY VISUAL ARTS, London, p. 92, Summer 1997
Vicki Goldberg, “Photos That Lie – and Tell the Truth”, SUNDAY NEW YORK TIMES, March 16th
1996
UNNATURAL SELECTION, AZIZ + CUCHER, Galleria Photology, Milan, 1996
BEAUX ARTS, Paris, November 1996, number 150, p. 63 – 66.
“DOUBLE VIE, DOUBLE VUE”, (cat.) Fondation Cartier, Paris, 1996.
LE MONDE, June 21, 1996, Paris, p. 27.
TRANS>, No. 2, (artist project), Spring 1996, New York.
Justin Spring, “Photo Finish”, ART + TEXT, #54, Sydney, 1996
PHOTOGRAPHY AFTER PHOTOGRAPHY, G+B Arts, Munich
1995
KUNSTFORUM INTERNATIONAL, Winter, 1995-96 (cover)
William Zimmer, THE NEW YORK TIMES, October 22, 1995, p 16 wc.
LE MONDE, Paris, October 4, 1995
Emmanuel Cooper, “Fully Exposed: The Male Nude in Photography,” 2nd ed., Routledge, London, 1995, p. 254.
Charles Hagen, THE NEW YORK TIMES, June 16, 1995
Vince Aletti, THE VILLAGE VOICE, June 6, 1995.
TIMES LITERARY SUPPLEMENT, London, June 30, 1995
LA BIENNALE DI VENEZIA, 1995, General Catalogue
1994
Ron Platt, THE GHOST IN THE MACHINE (Cat.), MIT List Visual Arts Center, October
1993
Keith Seward, Artforum, December 1993
Vince Aletti, The Village Voice, September 21, 1993