Publications

2008
Vince Aletti, THE NEW YORKER, May 26


2007
Eleanor Heartney, ART AND TODAY, Phaidon, New York, 2007
Mary Warner Marien, FLEMING’S ARTS & IDEAS, 10th edition, Wadsworth/Thomson, 2007


2006
Ricardo Bloch, PHILOSOPHIE MAGAZINE, Paris, November, 2006
Zhen Li, VISION MAGAZINE, Beijing, September 2006
Bernadette Wegenstein, “Getting Under the Skin,” MIT Press, Cambridge, 2006
Sydney Morning Herald, Metro Section, 13-28th of April, 2006
The Sun Herald, Sydney, April 2, 2006
Brian Dillon, “The Revelation of Erasure”, TATE Etc., London. Issue 8, Autumn 2006
Cay Sophie Rabinowitz, “Aziz + Cucher,” Ex. Catalog, Artereal Gallery, Sydney, 2006


2005
Germano Celant (Ed.), “Architecture & Arts: 1900-2004”, Skira Editore, Milano.
“Art of the Present: Collection Vol.1”, MUSAC, Leon, Spain.
Jonathan Lipkin, “Photography Reborn,” Abrams Studio Publications, 2005

2004
Suzanne Anker, "The Molecular Gaze: Art in the Genetic Age", Cold Spring Harbor Press, NY, 2004

2003
Coco Fusco, "ONLY SKIN DEEP", International Center of Photography, NY, 2003
Didier Ottinger, "Chimeres", (cat.) Actes Sud, and Les Affaires Culturelles, Monaco, 2003
"Undomesticated Interiors", (cat.) Smith College, Northampton, MA, 2003
"Matador Magazine", pub. La Fabrica, (Artists' Portfolio), Volume G, Madrid, 2003
Edward Lucie-Smith, "Art Tomorrow", Vilo Publishing, London, 2003
Charles Traub and Jonathan Lipkin, "In the Realm of the Circuit: Computers, Art and Culture", Prentice Hall, 2003
Nicole Karafyllis, "Biofakte", p. 50-52, Mentis Pub., Paderborn, Germany, 2003
"fotograf", Journal of new Photography, No. 2, Prague, Czech Republic, summer 2003
EXIT 11, "Ordinary Things," Madrid, Fall 2003
Francesca Alfano Miglietti, "Extreme Bodies", Skira Ed., Milan, 2003

2002
Claudia Benthien, SKIN: On the Cultural Border Between Self and World", Columbia Univ. Press, 2002
Virginie Luc, "Art A Mort", Ed. Leo Scheer, Paris, 2002
Mary Warner Marien, PHOTOGRAPHY: A CULTURAL HISTORY, Abrams and Prentice Hall, London, 2002
Boris Von Brauchitsch, KLEINE GESCHISHTE DER FOTOGRAFIE, Reclam, (Stuttgart), 2002
Anne Ellegood, "Out of Site" (cat.), New Museum of Contemporary Art, 2002
Ellen Lupton, "Skin" (cat.), Cooper-Hewitt National Design Museum, 2002
"Aziz + Cucher: 10 Years of Work," Do Trinque, Vigo, Spain, 2002
"Trajekte: Newsletter des Zentrums fur Literaturforschung, Berlin, April, 2002

2001
Laurie Attias, "Reviews,", ARTNEWS, December 2001
David Hunt, "Reviews," FLASH ART, June, 2001
Nico Israel, "Reviews" ARTFORUM, March 2001
Barbara Pollack, "Reviews," ARTNEWS, June 2001
Jonathan Gilmore, "Aziz + Cucher," TEMA CELESTE, March 2001
Marvin Heiferman, Carole Kismaric, "Paradise Now," Tang Teaching Museum, Skidmore College, 2001

2000
Frazer Ward, "Cumulus," PARKETT # 60, December 2000
Lea Vergine, "Body Art and Performance," 2nd Edition, Skira Ed., Milan, 2000
Max Kozloff, "The Hive of Subtlety,"APERTURE #160, Summer 2000
William Ewing, "The Century of the Body," Thames & Hudson, London, 2000
Barbara A. MacAdam, "A Salon for the 21st Century", ARTNEWS, May 2000

1999
Michael Rush, "New Media in the Late 20th Century," Thames & Hudson, 1999, p. 186
Thyrza Nichols Goodeve, interview in Aziz + Cucher: Recent Work 1998-99, (catalog)
Tim Druckrey, in OVEREXPOSED, ed. by Carol Squiers, The New Press, New York, 1999

1998
Laurie Attias, "Hygiene," FRIEZE, #42, p. 92, October, 1998
Carole Boulbes, "Here's Looking at You, Cyberface," ART PRESS, p. 31, #240, November 1998
COLORS, #25, p. 92, (reproduction), April/May 1998
DER SPIEGEL, Special #3/1998 (Freizeit Digital), Hamburg.
Jean Poderos, BEAUX ARTS MAGAZINE, #171, August 1998.
"The Virtual Embodied: Presence, Practice, Technology," Routledge, London, 1998 (cover)
Mignon Nixon, "After Images", OCTOBER #83, Winter 1998

1997
EUROPEAN PHOTOGRAPHY, No. 62, Fall/Winter 1997 (reproductions)
Stephanie Cash, ART IN AMERICA, p. 91, December 1997
Nahas,Cohen,Carvalho; "Aziz + Cucher, 3 critical views", REVIEW, New York, October 1, 1997
Grace Glueck, THE NEW YORK TIMES, Art in Review, 10-3-97
Ange-Dominique Bouzet, "Aziz + Cucher", LIBERATION, July 7, 1997
CONTEMPORARY VISUAL ARTS, London, p. 92, Summer 1997
Vicki Goldberg, “Photos That Lie - and Tell the Truth”, SUNDAY NEW YORK TIMES, Arts and Leisure Section, March 16, 1997

1996
UNNATURAL SELECTION, AZIZ + CUCHER, Galleria Photology, Milan, 1996
BEAUX ARTS, Paris, November 1996, number 150, p. 63 - 66.
“DOUBLE VIE, DOUBLE VUE”, (cat.) Fondation Cartier, Paris, 1996.
LE MONDE, June 21, 1996, Paris, p. 27.
TRANS>, No. 2, (artist project), Spring 1996, New York.
Justin Spring, “Photo Finish”, ART + TEXT, #54, Sydney, 1996
PHOTOGRAPHY AFTER PHOTOGRAPHY, G+B Arts, Munich

1995
KUNSTFORUM INTERNATIONAL, Winter, 1995-96 (cover)
William Zimmer, THE NEW YORK TIMES, October 22, 1995, p 16 wc.
LE MONDE, Paris, October 4, 1995
Emmanuel Cooper, "Fully Exposed: The Male Nude in Photography," 2nd ed., Routledge, London, 1995, p. 254.
Charles Hagen, THE NEW YORK TIMES, June 16, 1995
Vince Aletti, THE VILLAGE VOICE, June 6, 1995.
TIMES LITERARY SUPPLEMENT, London, June 30, 1995
LA BIENNALE DI VENEZIA, 1995, General Catalogue.

1994
Ron Platt, THE GHOST IN THE MACHINE (Cat.), MIT List Visual Arts Center, October, 1994

1993
Keith Seward, Artforum, December 1993
Vince Aletti, The Village Voice, September 21, 1993




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