ArtPremium Magazine, "Motley's the Only Wear," Winter 2018, Paris


Evergreen Review, "A Manifesto," http://evergreenreview.com/read/a-manifesto/, August 2017

Jack McGrath, "Visual Notes for an Upside Down World," Ex. Cat., PPOW Gallery, New York

Laila Pedro, "Topsy Turvy Art for a World Turned on its Head," Hyperallergic, July 20, 2017

Art Review Asia, Hong Kong

Hong Kong Economic Times, Hong Kong

China Times, Hong Kong, January 24th edition


Jacqueline Clyde, "Widewalls," Ermatingen, Switzerland    http://www.widewalls.ch/artist/aziz-cucher/


Haley Sweetland Edwards, "The Fallacy of Free Speech," Time Magazine, Dec. 14, 2015, p. 33

"Inside Magnolia Editions: Innovation and Collaboration," Magnolia Editions, Oakland, CA

"A New Tradition," Gazelli Art House, London

Alexandra Schwartz, "Come as You Are: Art of the 1990's," University of California Press, Berkeley/Los Angeles

Becca Rothfeld, "What was Art of the 1990's All About?", Hyperallergic, May 12, 2015

Barbara Denis-Morel, "Corps Recomposés," Presses Universitaires de Provence, Aix-en-Provence, France

Elizabeth Herrmann and Ryan Shelley, "Collaborative Design Strategy," BIS Publishers, Amsterdam, NL

Jean-Luc Nancy, "The Other Portrait," Art Words Magazine, Ljubljana, Slovenia

Laura Feinsilber, Aziz + Cucher: Una Seduccion Hipnotica," Ambito, Buenos Aires, June 1, 2015

Marjan Goothus, "History Repeats Itself," The Herald, Buenos Aires, June 7th, 2015

Eduardo Villar, "Movimiento Perpetuo," N-Clarin Revista de Cultura, Buenos Aires, June 6th, 2015

Tanya Loss, TIME OUT, Tel Aviv, Israel   http://timeout.co.il/en/art-and-culture/contemporary-standards


Stéphane Dumas, "Les Peaux Créatrices: Esthétique de la Sécrétion," Editions Klincksieck, Paris

Daphé Bétard, "Un Rapport Épidermique," Beaux Arts Magazine, Paris, June 2014, p. 40.

Alpesh Kantilal Patel, Critic's Pick, Artforum, January/February

Sarah Lehat, "Architectural Identity and the Persistence of Hope," Huffington Post, January 20, 2014


Anne Tschida, "13 things not to be missed during Art Basel Miami," Miami Herald, December 7, 2013

Michael Petry, "Nature Morte," Thames and Hudson, London

Jill H. Casid, "Ovid's Afterlives in Modern and Contemporary Art, Univ. of Wisconsin, Madison


Hilarie M. Sheets, "It's an Absurd World, Send In the Clowns," The New York Times, Sunday, April 29, 2012

Jeffrey Kastner (Editor), NATURE - Documents of Contemporary Art. Whitechapel Gallery/MIT Press

"Outside the Frame," Haaretz, (The Back Page), Wednesday, May 2, 2012, Tel Aviv, Israel

Kasper Lippert-Rassmusen et al. (Editors), "The Post-Human Condition," Aarhus University Press, Denmark

Lisa D. Freiman (Editor), "Some People," Indianapolis Museum of Art and Hatje Cantz, Germany

Juliet Hacking (Editor), "Photography: The Whole Story," Thames and Hudson, London

Hilarie M. Sheets, “Dynamic Duos,” ARTNEWS, February 2011, p. 86

Sabine Flach and Sigrid Weigel, ed., "Wissenskunste," VDG Editions, Weimar, Germany

Dr. Chu-Lan Liu, ARTS MAGAZINE #347, Taipei, Taiwan

Ana Finel Honigman, ARTSLANT CHINA, April 21, 2011

Sylvia Wolf, DIGITAL EYE, Prestel Editions, New York and Henry Art Gallery, Seattle
Dolores Denaro, et.al, "Genipulation: Genie Genetique et manipulation dans l’art contemporain,"
                                                                                                    Centre PASQUART, Biel, Switzerland


Jiang Rong, "Virtuality and Reality," Chinese Photography Magazine, Issue #4, Beijing

Vince Aletti, THE NEW YORKER, May 26th edition, New York

Eleanor Heartney, ART AND TODAY, Phaidon, New York, 2007
Mary Warner Marien, FLEMING’S ARTS & IDEAS, 10th edition, Wadsworth/Thomson

Ricardo Bloch, PHILOSOPHIE MAGAZINE, Paris, November, 2006
Zhen Li, VISION MAGAZINE, Beijing, September 2006
Bernadette Wegenstein, “Getting Under the Skin,” MIT Press, Cambridge
Sydney Morning Herald, Metro Section, 13-28th of April
The Sun Herald, Sydney, April 2, 2006
Brian Dillon, “The Revelation of Erasure”, TATE Etc., London. Issue 8
Cay Sophie Rabinowitz, “Aziz + Cucher,” Ex. Catalog, Artereal Gallery, Sydney

Germano Celant (Ed.), “Architecture & Arts: 1900-2004”, Skira Editore, Milano.
“Art of the Present: Collection Vol.1”, MUSAC, Leon, Spain.
Jonathan Lipkin, “Photography Reborn,” Abrams Studio Publications

Suzanne Anker, “The Molecular Gaze: Art in the Genetic Age”, Cold Spring Harbor Press, NY

Coco Fusco, “ONLY SKIN DEEP”, International Center of Photography, NY
Didier Ottinger, “Chimeres”, (cat.) Actes Sud, and Les Affaires Culturelles, Monaco
“Undomesticated Interiors”, (cat.) Smith College, Northampton, MA
“Matador Magazine”, pub. La Fabrica, (Artists’ Portfolio), Volume G, Madrid
Edward Lucie-Smith, “Art Tomorrow”, Vilo Publishing, London
Charles Traub and Jonathan Lipkin, “In the Realm of the Circuit: Computers, Art and Culture”, Prentice Hall
Nicole Karafyllis, “Biofakte”, p. 50-52, Mentis Pub., Paderborn, Germany
“fotograf”, Journal of new Photography, No. 2, Prague, Czech Republic, summer 2003
EXIT 11, “Ordinary Things,” Madrid, Fall 2003
Francesca Alfano Miglietti, “Extreme Bodies”, Skira Ed., Milan

Claudia Benthien, SKIN: On the Cultural Border Between Self and World”, Columbia Univ. Press
Virginie Luc, “Art A Mort”, Ed. Leo Scheer, Paris
Mary Warner Marien, PHOTOGRAPHY: A CULTURAL HISTORY, Abrams and Prentice Hall, London
Boris Von Brauchitsch, KLEINE GESCHISHTE DER FOTOGRAFIE, Reclam, (Stuttgart)
Anne Ellegood, “Out of Site” (cat.), New Museum of Contemporary Art
Ellen Lupton, “Skin” (cat.), Cooper-Hewitt National Design Museum
“Aziz + Cucher: 10 Years of Work,” Do Trinque, Vigo, Spain
“Trajekte: Newsletter des Zentrums fur Literaturforschung, Berlin

Laurie Attias, “Reviews,”, ARTNEWS, December 2001
David Hunt, “Reviews,” FLASH ART, June, 2001
Nico Israel, “Reviews” ARTFORUM, March 2001
Barbara Pollack, “Reviews,” ARTNEWS, June 2001
Jonathan Gilmore, “Aziz + Cucher,” TEMA CELESTE, March 2001
Marvin Heiferman, Carole Kismaric, “Paradise Now,” Tang Teaching Museum, Skidmore College

Frazer Ward, “Cumulus,” PARKETT # 60, December 2000
Lea Vergine, “Body Art and Performance,” 2nd Edition, Skira Ed., Milan
Max Kozloff, “The Hive of Subtlety,”APERTURE #160, Summer 2000
William Ewing, “The Century of the Body,” Thames & Hudson, London
Barbara A. MacAdam, “A Salon for the 21st Century”, ARTNEWS, May 2000

Michael Rush, “New Media in the Late 20th Century,” Thames & Hudson, 1999, p. 186
Thyrza Nichols Goodeve, interview in Aziz + Cucher: Recent Work 1998-99, (catalog)
Tim Druckrey, in OVEREXPOSED, ed. by Carol Squiers, The New Press, New York

Laurie Attias, “Hygiene,” FRIEZE, #42, p. 92, October, 1998
Carole Boulbes, “Here’s Looking at You, Cyberface,” ART PRESS, p. 31, #240, November 1998
COLORS, #25, p. 92, (reproduction), April/May 1998
DER SPIEGEL, Special #3/1998 (Freizeit Digital), Hamburg
Jean Poderos, BEAUX ARTS MAGAZINE, #171, August 1998
“The Virtual Embodied: Presence, Practice, Technology,” Routledge, London, 1998 (cover)
Mignon Nixon, “After Images”, OCTOBER #83, Winter 1998

EUROPEAN PHOTOGRAPHY, No. 62, Fall/Winter 1997 (reproductions)
Stephanie Cash, ART IN AMERICA, p. 91, December 1997
Nahas,Cohen,Carvalho; “Aziz + Cucher, 3 critical views”, REVIEW, New York, October 1, 1997
Grace Glueck, THE NEW YORK TIMES, Art in Review, 10-3-97
Ange-Dominique Bouzet, “Aziz + Cucher”, LIBERATION, July 7, 1997
CONTEMPORARY VISUAL ARTS, London, p. 92, Summer 1997
Vicki Goldberg, “Photos That Lie – and Tell the Truth”, SUNDAY NEW YORK TIMES, March 16th

UNNATURAL SELECTION, AZIZ + CUCHER, Galleria Photology, Milan, 1996
BEAUX ARTS, Paris, November 1996, number 150, p. 63 – 66.
“DOUBLE VIE, DOUBLE VUE”, (cat.) Fondation Cartier, Paris, 1996.
LE MONDE, June 21, 1996, Paris, p. 27.
TRANS>, No. 2, (artist project), Spring 1996, New York.
Justin Spring, “Photo Finish”, ART + TEXT, #54, Sydney, 1996

KUNSTFORUM INTERNATIONAL, Winter, 1995-96 (cover)
William Zimmer, THE NEW YORK TIMES, October 22, 1995, p 16 wc.
LE MONDE, Paris, October 4, 1995
Emmanuel Cooper, “Fully Exposed: The Male Nude in Photography,” 2nd ed., Routledge, London, 1995, p. 254.
Charles Hagen, THE NEW YORK TIMES, June 16, 1995
Vince Aletti, THE VILLAGE VOICE, June 6, 1995.
LA BIENNALE DI VENEZIA, 1995, General Catalogue

Ron Platt, THE GHOST IN THE MACHINE (Cat.), MIT List Visual Arts Center, October

Keith Seward, Artforum, December 1993
Vince Aletti, The Village Voice, September 21, 1993